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Narrative
Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.
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Narrative Design : A 50 Year Perspective
An extraordinary book and unparalleled collection of work, celebrating Kit Hinrichs creative life as he recounts his narrative design work covering over 50 years and all stages of his career. Narrative Design is a collection of more than 50 years of work from the obsessive graphic designer Kit Hinrichs.To the legendary AIGA medalist, author, teacher, and collector, design is the business of telling a story.It’s not just about communicating a product or a corporate ethos — it’s about contributing to the collective culture of storytelling.Presented in the book are not individual case studies but rather categories of work and graphic approaches to assignments that have wowed clients and dazzled viewers.The work is arranged to communicate Hinrichs’ creative thinking, which always leads to a unique and effective solution to any design conundrum. Renowned graphic designer Kit Hinrichs has served as the principal of design offices in New York and San Francisco, including spending 23 years as a partner of Pentagram before opening Studio Hinrichs in 2009.His award-winning design experience includes identity, promotion, publication design, packaging design, environmental graphics, product design, editorial design, and exhibition design.
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Narrative Design for Mobile and Live Games
This is a comprehensive guidebook for long-term storytelling in mobile games and games-as-a-service (also known as live games).This book formalizes creative techniques of game writing and narrative design for a platform (and revenue model) that has shown drastic growth and changes over the past few years.The unique challenges of mobile games and live games are also increasingly relevant across the whole games industry.With hybrid consoles such as the Nintendo Switch, cloud gaming, and cross-platform titles, the lines between mobile and console have begun to blur.Additionally, many games now offer live support to extend player engagement. This book starts with an introduction to narrative design and the world of mobile games, followed by a deep dive into open-ended and seasonal storytelling.Besides the creative aspect of development, it covers areas of production such as documentation, collaboration, and monetization.To illustrate its solutions, it uses examples from video games and other media, specifically screenwriting for TV shows. This book will be of great interest to all game narrative and writing professionals working on mobile and live games.
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Narrative Ontology
This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality.Their inherent connection has disappeared from our thought.We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous.Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does.Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way.He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation.In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism.It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.
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What is the narrative style and narrative perspective in "Holes" by Louis Sachar?
The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.
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What is the narrative style in the Chess Story?
The narrative style in the Chess Story is introspective and psychological. The story is primarily told through the inner thoughts and reflections of the protagonist, Czentovic, as he navigates the intense chess matches and his own internal struggles. The narrative delves deep into the mind of the protagonist, exploring themes of isolation, genius, and the impact of trauma on the human psyche. The introspective style allows readers to closely examine the complexities of the characters and their motivations.
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What are the characteristics of Thomas Mann's narrative style?
Thomas Mann's narrative style is characterized by its complexity, depth, and intellectual sophistication. He often employs long, intricate sentences and rich, detailed descriptions to create a vivid and immersive world for the reader. Mann's writing is known for its psychological insight and exploration of complex themes such as morality, identity, and the human condition. His narratives often feature a mix of realism and symbolism, and he is skilled at creating multi-layered, multi-dimensional characters. Overall, Mann's narrative style is marked by its thoughtfulness, depth, and ability to engage with complex ideas and emotions.
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What is the difference between narrative form and narrative perspective?
Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.
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Narrative Sociology
Narrative Sociology defines classics, identifies exemplars of narrative analysis, and delineates a field in the making.
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Narrative CD
Narrative CD
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Dual Narrative Dynamics
Combining narratological and stylistic methods, this book theorizes dual narrative dynamics consisting of plot development and covert progression and demonstrates the consequences for the interpretation of literary works. In narratives with such dynamics, writers work simultaneously with overt and covert trajectories of signification, establishing a range of relationships between them.The two parallel narrative movements may complement, contradict or even subvert each other, and these relationships significantly influence readers’ understanding not just of events but also of characters, themes, and aesthetic values.The book provides a systematic theoretical account of such previously neglected dual narrative dynamics, substantiated and enriched by the textual analysis of works by Ambrose Bierce, Kate Chopin, Franz Kafka, and Katherine Mansfield.The study explores the many ways that these authors have used dual dynamics to increase the power of their narratives.In addition, the book identifies the challenges such dual dynamics present not only for narratology but also for stylistics and translation studies, and it develops sound and provocative proposals for meeting those challenges. In taking an interdisciplinary approach, this book will appeal to scholars and students in the fields of narrative and literary theory, literary criticism, literary stylistics, and translation studies.
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Second Person Narrative
‘Off you go then and best of luckIt’s bound to be different this time though some of it might seem familiarThe big questions, we meanThe beginnings, middles, endings, et ceteraStill, not to worry, it’s all a work-in-progress’You're born a girl.You grow up. You grow old. You die. But who is in control of your life story? Can you actually choose your destiny? And how do you forge your own identity along the way?Second Person Narrative by Jemma Kennedy is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books aimed at addressing gender imbalance and inequality in theatre.Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and youth-theatre groups. ‘Drama is an important tool for building confidence and empowering young people.Platform will give girls opportunity to access these benefits as much as their male counterparts.’ - Moira Buffini
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What are narrative threads?
Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.
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What is the difference between a frame narrative and an embedded narrative?
A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.
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Can you rewrite the text, but with a new narrative style?
Certainly! Here's the rewritten text with a new narrative style: Once upon a time, in a quaint little village nestled among rolling hills, there lived a young girl named Lily. She was known far and wide for her kindness and generosity towards all creatures, big and small. One day, as she wandered through the forest collecting wildflowers, she stumbled upon a wounded bird with a broken wing. Without hesitation, Lily gently cradled the bird in her hands and nursed it back to health with tender care and unwavering patience. From that day on, the bird became her loyal companion, soaring through the skies with Lily by its side, spreading joy and hope wherever they went. And so, their bond grew stronger with each passing day, a testament to the power of compassion and friendship.
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What narrative perspective is this?
This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.
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