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  • Elements of Furniture Design : Principles and History of Furniture Design with Analysis of Furniture Made by Thomas Day
    Elements of Furniture Design : Principles and History of Furniture Design with Analysis of Furniture Made by Thomas Day

    A comprehensive look at the history, elements of construction, and all the steps in furniture design from an expert in the industry. Elements of Furniture Design is a resource of information gathered from 30 years of working as a professional furniture designer.These elements of design are essential, and there is no other resource where they are available in one place.The reader will gain a comprehensive knowledge of how furniture is designed, and can use this information to create new and exciting design concepts.This knowledge is provided in four sections: • A brief history and quick designer references (woods, veneers, wood joinery, comfort, architectural references, and drawing tools) • Illustrating furniture construction • Historic ornament used on furniture (molding, turning, carving) • The typical design process with a new client The work of cabinetmaker Thomas Day (a free man of color in the South in the mid-1800s) is used to tie the story together, and the reader will learn trade secrets of furniture design that have been lost to outsourcing and offshore manufacture.

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  • Rooms with History : Interiors and their Inspirations
    Rooms with History : Interiors and their Inspirations

    Ashley Hicks has created a mix of manifesto, souvenir album, and confession in this collection of noteworthy rooms featuring his own one-of-a-kind interiors along with rooms that have inspired him.The manifesto aspect is rather limited, since Hicks is not a great believer in aesthetic rules or the value of so-called good taste, but as a souvenir album, it charts Hicks s personal creative journey of the last few years, illustrated with photographs of some favorite historical interiors and objects that represent a mixture of source material and inspiration. The book s twelve chapters reveal Hicks s creative process, how he approaches different themes in his own interiors, furniture designs, and works of art, and how these themes can be applied to the works of others.Such subjects as flowers, color, layers, form, pattern, and memory are presented in the context of actual projects.Historical and recent interiors are discussed for their decorative value notable rooms and architecture, including the Pantheon in Rome; Emperor Maximilian s tomb in Innsbruck; the Royal Pavilion, Brighton; and the Petit Trianon at Versailles.Hicks has created a book for devotees of decorating and the history of interior design.

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  • Japan Style : Architecture + Interiors + Design
    Japan Style : Architecture + Interiors + Design

    Japanese homes speak to the soul and provide a contemplative environment from which to experience the world. Japan Style offers rare glimpses into twenty exquisite traditional homes in Japan.The lavish photographs in this volume demonstrate how Japanese design achieves a timeless tranquility using a few very simple, natural elements. Wood is the preferred building material since it is considered a "living" material; the country's Shinto and Zen Buddhist roots have inculcated a deep respect for nature.The houses in this book are a wonderful reminder that there are alternatives to "big is beautiful"—and that neither timelessness nor modernity has to be about using cold steel, glass and concrete. The wabi-sabi ideal, translated loosely by Frank Lloyd Wright as a "rusticity and simplicity that borders on loneliness," is considered the epitome of sophistication in Japanese interior design.The houses in this book invite us to rethink the wisdom of our hurried modern lifestyle and return to a simpler, slower life. The quintessential Japanese aesthetic can be seen in a 100-year-old minka farmhouse, an old merchant's machiya townhouse in Kyoto, a sprawling country Samurai villa, and in a modern seaside cottage.This book offers insights for architects and homeowners alike by providing inspiring and surprising alternatives, relevant to the design of homes anywhere in the world today.

    Price: 19.99 £ | Shipping*: 3.99 £
  • Design History Handbook
    Design History Handbook

    This book, dedicated to the history of design from the mid-nineteenth century to the present, is committed to drawing guidelines for the development of this discipline, offering a synthetic vision of the subject and, at the same time, highlighting elements for future investigations. If it's true that the history of artefacts and objects has always accompanied that of man, punctuated by turns occurring with the acquisition of technological innovations, it is in the mid-nineteenth century that we can retrace historically the professional figure of the designer, thus marking the birth of modern and contemporary design. The subject is branched and composite, embracing many disciplines: in addition to the field of furniture - which often exemplifies the broadest lines of design research in an excellent way - other sectors are considered here, from technical objects to graphics, from fashion to car design.Particular attention is reserved for the influence of the art world, with all its array of thought references that has constantly permeated the birth of design projects.

    Price: 35.00 £ | Shipping*: 0.00 £
  • How do I design a poster about history?

    When designing a poster about history, it's important to first identify the specific theme or topic you want to focus on. Research and gather relevant information and images that represent the historical event or period you want to showcase. Use a clear and concise layout that includes a title, key information, and visually appealing graphics. Consider using a color scheme and fonts that are appropriate for the historical context you are presenting. Lastly, make sure to include references or sources for the information you include on the poster.

  • Why does Mercedes design the interiors so appealingly?

    Mercedes designs its interiors to be appealing in order to create a luxurious and comfortable driving experience for its customers. The company understands that the interior of a car is where the driver and passengers spend most of their time, so they prioritize creating a space that is visually attractive, well-crafted, and filled with high-quality materials. This attention to detail helps to enhance the overall perception of the brand and contributes to the premium image that Mercedes is known for. Additionally, a well-designed interior can also contribute to the overall satisfaction and enjoyment of the driving experience, which can lead to increased customer loyalty and positive word-of-mouth.

  • How to design the interiors in Sims 4 in black?

    To design interiors in Sims 4 in black, start by selecting black as the primary color for furniture, walls, and flooring. Use contrasting colors like white, grey, or metallic accents to add depth and visual interest to the space. Incorporate textures like velvet, leather, or matte finishes to create a luxurious and sophisticated look. Experiment with different lighting options such as chandeliers, floor lamps, and wall sconces to enhance the ambiance of the black-themed room.

  • How do I design a cover page for a history folder?

    When designing a cover page for a history folder, consider using historical images or symbols that represent the time period or topic you are covering. You can also incorporate a timeline, map, or important historical figures related to the content of the folder. Choose a color scheme that reflects the historical era, such as earthy tones for ancient history or patriotic colors for American history. Additionally, include a title that clearly indicates the subject of the folder and any relevant dates. Overall, the cover page should visually convey the theme and importance of the historical content within the folder.

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  • Graphic Design History
    Graphic Design History

    A Fresh Look at the History of Graphic Design Graphic Design History, 2nd edition is a critical approach to the history of graphic design. Organized chronologically, the book demonstrates the connection to the current practices of graphic arts, visual expression, and design with its engaging narrative and special features. With new images, chapter revisions, and features like Tools of the Trade, the authors stay true to connecting what designers do every day to a history of innovative graphic forms and effects.Instructor PowerPoints featuring nearly all of the images from the text make class preparation easier than ever with this new edition. A better teaching and learning experience This program will provide a better teaching and learning experience– for you and your students.Here’s how: Improve Critical Thinking — Chapters are framed by critical issues and historical themes so that students can fully grasp an understanding of the history of graphic design. Engage Students — Timelines and images with detailed captions easily highlight relevant information for students. Support Instructors — high resolution PowerPoint are available for this text.

    Price: 123.44 £ | Shipping*: 0.00 £
  • The Design History Reader
    The Design History Reader

    This revised and updated edition addresses the international history and practice of design from the 17th century to the present day.Covering both primary texts by social theorists, designers and design reformers, and secondary texts in the form of key works of design history and design thinking, the Reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice, including decolonization, sustainability, historiography, gender and globalization. Extracts are grouped into thematic sections, each with a contextualizing introduction by the editors, and a guide to further reading. The updated edition of The Design History Reader expands upon its original content and features numerous significant voices from across the globe.Authors include William Morris, Karl Marx, Roland Barthes, Victor Margolin, Penny Sparke, Judy Attfield, Ellen Lupton, and many more.

    Price: 39.99 £ | Shipping*: 0.00 £
  • The Design History Reader
    The Design History Reader

    This revised and updated edition addresses the international history and practice of design from the 17th century to the present day.Covering both primary texts by social theorists, designers and design reformers, and secondary texts in the form of key works of design history and design thinking, the Reader provides an essential resource for understanding the history of design, the development of the discipline, and contemporary issues in design history and practice, including decolonization, sustainability, historiography, gender and globalization. Extracts are grouped into thematic sections, each with a contextualizing introduction by the editors, and a guide to further reading. The updated edition of The Design History Reader expands upon its original content and features numerous significant voices from across the globe.Authors include William Morris, Karl Marx, Roland Barthes, Victor Margolin, Penny Sparke, Judy Attfield, Ellen Lupton, and many more.

    Price: 130.00 £ | Shipping*: 0.00 £
  • Digital Design : A History
    Digital Design : A History

    A groundbreaking history of digital design from the nineteenth century to todayDigital design has emerged as perhaps the most dynamic force in society, occupying a fluid, experimental space where product design intersects with art, film, business, engineering, theater, music, and artificial intelligence.Stephen Eskilson traces the history of digital design from its precursors in the nineteenth century to its technological and cultural ascendency today, providing a multifaceted account of a digital revolution that touches all aspects of our lives. We live in a time when silicon processors, miniaturization, and CAD-enhanced 3D design have transformed the tangible world of cars and coffee makers as well as the screen world on our phones, computers, and game systems.Eskilson provides invaluable historical perspective to help readers better understand how digital design has become such a vibrant feature of the contemporary landscape.He covers topics ranging from graphic and product design to type, web design, architecture, data visualization, and virtual reality.Along the way, he paints compelling portraits of key innovators behind this transformation, from foundational figures such as Marshall McLuhan, Nam June Paik, and April Greiman to those mapping new frontiers, such as Jeanne Gang, Jony Ive, Yugo Nakamura, Neri Oxman, and Jewel Burks Solomon. Bringing together an unprecedented array of sources on digital design, this comprehensive and richly illustrated book reveals how many of the digital practices we think of as cutting-edge actually originated in the analog age and how the history of digital design is as much about our changing relationship to forms as the forms themselves. This book’s distinctive cover design features an overlay of raised dots printed in clear ink.The dots are tactile representations of the pixels that make up so much of digital design and refer to the origins of the term “digital”—digitus is the Latin word for finger, the most basic means of counting.As with the printing of braille, the pattern of raised dots is made to be felt with the fingers, or digits.

    Price: 42.00 £ | Shipping*: 0.00 £
  • Is history reported one-sidedly in history books?

    History is often reported one-sidedly in history books, as they are typically written from the perspective of the dominant or victorious group. This can lead to the experiences and perspectives of marginalized or oppressed groups being overlooked or misrepresented. It is important for readers to critically analyze multiple sources and perspectives to gain a more comprehensive understanding of historical events. By seeking out diverse viewpoints and voices, a more balanced and nuanced understanding of history can be achieved.

  • Should history classes teach more about African history?

    Yes, history classes should teach more about African history. African history is rich and diverse, with a long and complex history that has often been overlooked or marginalized in traditional history curriculums. By including more African history in the curriculum, students can gain a more comprehensive understanding of the world and the interconnectedness of different cultures and societies. This can also help to challenge stereotypes and misconceptions about Africa and its people, and promote a more inclusive and accurate portrayal of global history.

  • Is our perspective on history manipulated by history classes?

    Yes, our perspective on history can be manipulated by history classes. History classes often focus on specific events, figures, and narratives that align with the dominant cultural and political perspectives of the time. This can lead to the omission or downplaying of certain perspectives, events, and voices, which can shape our understanding of history in a biased way. Additionally, the way history is taught and the materials used in history classes can also influence how we perceive and interpret historical events. It is important to critically analyze and seek out diverse sources of information to gain a more comprehensive understanding of history.

  • What is subjective history and what is objective history?

    Subjective history refers to the interpretation of historical events through the lens of personal opinions, biases, and emotions. It is influenced by individual perspectives and can vary depending on the storyteller. On the other hand, objective history aims to present facts and events based on evidence and research, without personal bias or interpretation. It strives to provide an accurate and unbiased account of past events.

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